That Cooke Look Teaser

Have you ever wonder what a cinematography lens would look like on an a7s II?

Well, we did and tried one out.

The results are lovely and included in a story I’m writing for HD Video Pro. Today, I shared a teaser on Instagram while the files render.

What you need to know is the Cooke Look is about tonal quality, deep colors, and as we discovered no distortion or moire patterns in the buildings with lots of shapes happening all at once.

The pattern quality is the most amazing part.

Look at the blues in the sky in the midday sun. In the flare example, as the camera pans closer to the sun the blues fade out naturally. No banding, optically or on the sensor.

That’s really cool stuff and when you consider a lens of this type is usually attached to a camera that costs 3X as much.

In case you missed it, Cooke Lens announced the availability of their Mini S/4 in an E-mount late last year and showed them at NAB. And, what they sent us was the first they’ve converted for the US market.

It’s a one-off lens and I hope after this story, Cooke converts much more.  In an email, Les Zellan, Chairman, and Owner, Cooke Optics, told me

“The miniS4/i lenses are steadily gaining popularity for many genres of production since they have all the coveted attributes of Cooke prime lenses in a smaller, lighter and more affordable form.”

This was after I toured the factory in June. The world needs the beauty a lens like this can create and you’ve probably watched a film or two made with one; most recently, Fleabag, Game of Thrones, and Westworld.

We were just out shooting b-roll for a story, just imagine what you could do with it for a movie, at a wedding, or whatever you’re into.

The model we used was the miniS4/i 32mm, T2.8-22 and it costs $7,500.00. Special thanks to Lill Monster Industries for the production work.

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